Press

10/2024: An op-ed in Germany’s largest Sunday newspaper criticizing how art fairs are failing to support galleries and highlighting the lack of innovation in their business model (in German).

8/2024: Interview with Sueddeutsche Zeitung (SZ), where I delved into my journey in the art world, my mission to bring greater transparency to the art market, and insights on art investment (in German).

5/2024: Extensive interview with Switzerland’s leading newspaper, Neue Zürcher Zeitung (NZZ), discussing how to collect art and ways to purchase art with less than $3,000 (in German).

5/2024: In-depth live interview on CNN with host Julia Chatterley discussing how to build an art collection and strategies for investing in art.

4/2024: Explaining my concept of ‘responsible buying’ to The Observer and discussing the importance of transparency in the art world.

4/2024: Talking with Jerry Gogosian, a leading art world podcast host and influencer, about the lack of transparency in the art market and how my new book helps convert art lovers into art buyers.

3/2024: Review of my book “How to Collect Art” and its relevance to navigating the art market during times of uncertainty.

2/2024: In-depth interview with Barron’s about my new book, “How to Collect Art,” where we discussed the investment potential of art.

1/2024: Excerpt from my latest book, “How to Collect Art” published in the renowned New York magazine, Paper.

1/2024: Review and photo report of my book launch event for “How to Collect Art” at the ICA museum, Miami

1/2024: Discussion revolving around the current challenges facing the art market and strategies to expand its size.

1/2024: Extensive review and interview discussing my latest book, “How to Collect Art.”

1/2024: Conversing with Germany’s premier newspaper about the remaining aspects of NFTs in today’s art market and exploring their ongoing implications (in German).

10/2023: Review by Yale Press of my course “Entrepreneurship in the Art Market” at Yale School of Management, with guest visits by Jeff Koons, KAWS and others.

4/2023: Interview with the leading crypto publication about the relevance of community building in Web3 and other learnings for the traditional art market.

3/2023: Extensive interview with CNN and their Turkish correspondent about the art market and NFT’s impact on it.

12/2022: Op-ed for the most relevant Web3 news page. I believe NFTs will bring about a profound structural shift in the art ecosystem. Here is why

7/2022: Op-ed for one of the largest travel magazines in the world. I describe my view on NFTs and how they will change the art world.

6/2022: Interview with Artnews about my new book “How To Create And Sell NFTs”. We talk about the differences and similarities between the NFT space and the traditional art world.

12/2021: Opinion Piece for Welt am Sonntag, Germany’s largest Sunday newspaper, about the future of NFTs. “Most NFTs will decrease in value dramatically. But they are here to stay: As an affordable alternative to editions.” (In German only)

12/2021: Featured in Freakonomics, one of the world’s leading podcasts. Hear my discussion on the art market with host Stephen Dubnert, alongisde fellow guests such as David Zwirner or Amy Cappellazzo.

11/2021: Review of my online course for collectors by Artsy.net, describing it as “an essential toolkit for new and aspiring collectors.”

7/2021: Opinion Piece for Neue Zuercher Zeitung, Switerzland’s largest newspaper (in German).

6/2021: Interview with Cultured, a leading magazine on culture, where my book was described as “Magnus Resch has the art world down to a science.”

6/2021: “This new book is determined to do away with the stereotype of the starving creative.” – Sharing advice for artists in The Art Newspaper

12/2019: “Education at art academies is very one-sided. Nobody talks about money. My class is all about making money” – Interview with German newspaper Der Spiegel

11/2019: “Eine Ausstellung, die keiner besucht, aber Steuergeld verschwendet, ist für mich eine schlechte Ausstellung”

11/2019: “Schluss mit dem Kult der Exklusivität” – Opinion piece for Germany’s largest weekly newspaper

9/2019: “Magnus is the leader”

“Where are the wild days gone?” – Comments about the Berlin art scene

My op-ed for the world’s oldest art newspaper, titeled “Moneyball for the art world”

“I am devasted by how undemocratic the art world really is”

“A small circle defines what is good art. We need a more democratic market”

“Early success breeds continued success in the art world”

“There is no quality criteria in art. So the network takes over”

“Only connect” – To get to the top of the art world, start there in the first

Leonardo DiCaprio: “I am proud to partner with Magnus”

“We are disrupting the art market by making it more transparent”

“Leonardo DiCaprio teams up with Magnus Resch”

“Magnus has the potential for opening the curtains of the art trade.”

“Magnus Resch is like a living algorithm”

“This app will change the way you buy art – Even if you have never bought art before.”

Magnus Resch speaks at TOA Berlin.

“Collectors are much more influential than they were 20 years ago and that influence is increasing” said Magnus Resch.

“Magnus is revolutionary”

Magnus commercial for the app “Shazam for Art”

“In what’s close to a first for the gallery world, Magnus Resch has the data.”

“Everyone talks about artists and artworks, but little is known about art collectors,” says Resch, the Berlin/Hong Kong-based entrepreneur.

“Magnus Resch claims to have all the answers to the art world’s woes”

“Business sense is needed to run an art gallery, argues entrepreneur Magnus Resch”

“The Art World’s Most Controversial Economist”

“Billionaire philanthropist Eli Broad is the world’s top art collector” says Resch.

“Magnus Resch is looking into the future – a future we don’t see yet but he clearly sees”

“Resch is fighting in the art world – it’s the fight between traditionalist against innovators.”

“The great debate: why galleries could take even more money from their artists.”

“It’s almost impossible to hide in today’s art world, information will appear somewhere,” Resch said.

“Magnus Resch is the most controversial person in the German art scene.”

“Magnus Resch is the Great Gatsby of the German art scene.”

“Without doubt, it’s tough to be a gallerist. So start loving the market. Let’s talk about money“ writes Magnus Resch, author of the #1 Amazon Bestseller “Management of Art Galleries”.

“The art market must grow. We need to bring in a new generation of collectors” claims Resch.

“But when I get there, Springstar managing partner Magnus Resch walks me straight into the nucleus of Airbnb’s international operation. “We started Airbnb here” says Resch.”

“Dr. Magnus Resch is a Wunderkind.”

“Zum Start der neuen Kunstsaison erregt ein Buch die Gemüter der deutschen Kunstwelt. Magnus Resch analysiert in „Management von Kunstgalerien” das Innenleben der deutschen Galerieszene.”

Zwischen Diagrammen zu Gewinn und Angebotssegmenten taucht der Künstler nur als Dienstleister auf. Spätestens in diesem Moment dürfte selbst der geneigte Leser einen Anflug von Widerwillen empfinden.

„Lasst uns endlich anfangen über Kohle zu reden“ sagt Resch.

„Das Feedback ist extrem positiv! Wir haben in den ersten drei Wochen über 50 E-Mails von Sammlern bekommen. Die haben uns beglückwünscht“ antwortet Magnus Resch

„IDAUTIT“. Er ist der „Whats app“-Trend des Sommers. Seit ein paar Wochen kursiert im Netz ein Video-Clip, das bei Tausenden von Usern für ziemlich großen Spaß sorgt.

Портал Larry’s List запустили сутки назад, но, как рассказал основатель компании Магнус Реш (Magnus Resch), информация и аналитика, которая размещена на сайте, уже активно востребована как галеристами и арт-дилерами, так и художниками, для которых пользование ресурсом будет бесплатным.

„La Suisse dispose d’une base de collectionneurs immense, mais ils ne sont pas visibles, explique M. Resch. Ces gens ne parlent tout simplement pas de leurs collections.” De la même manière, les riches Russes ne communiquent pas sur le sujet.

„Parece que hoy todo el mundo fuera coleccionista, al menos ésa es la sensación que se tiene al hablar con los propietarios de galerías. El uso inflacionista de este término es el resultado de que no exista una definición universal” advierte Resch.

„Iako je u ranim tridesetima, stručnjak za tržište umjetnina iz Njemačke, Magnus Resch ima impresivan životopis iza sebe: toliko je dobro zarađivao prodajući umjetnine da je sam sebe školovao, na Harvardu, pa na London School of Economics.